Works With Electronic Media

Electronic Portfolio - Analog

Analog Works

These pieces only use analog electronic components and are the earliest of the composer's Electroacoustic works. See also the Electroaoustic Works category. Contact the composer for access to parts, sound files, and additional performance instructions.

 
New pieces in this series are coming soon!

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Electronic Portfolio - Digital

Digital Works

The composer has no purely digital works in his portfolio. CHominge is listed here however because the only processing "device" used is a digital delay. The only other electronic compoonent is the prerecorded sound which was rendered in a traditional analog tape studio. See also the Electroaoustic and Hybrid Works category. Contact the composer for access to parts, sound files, and additional performance instructions.

New pieceS in this series are coming soon!

Electronic Portfolio - Hybrid

Hybrid Works

These pieces combine analog and digital electronic components. See also the Electroaoustic Works category. Contact the composer for access to parts, sound files, and additional performance instructions.

Moment Pieces for Extended Piano - Now In Progress . . . Coming Soon!

Listen to a sample of the work in progress here:

New pieceS in this series are coming soon!

Electronic Portfolio - Electroacoustic

Electroacoustic Works

These pieces combine acoustic instrumental resources with electronic elements. See also the Ensembles Electroaoustic Works page.

Contact the composer for access to parts, sound files, and additional performance instructions.

Moment Pieces for Extended Piano - Now In Progress . . . Coming Soon!

Listen to a sample of the work in progress here:

New pieceS in this series are coming soon!

Electronic Portfolio - Acousmatic

Acousmatic

There are no purely acousmatic works in the composer's portfolio at this time. Contact the composer for updates and more information about works for pure Acousmatic media.

Acousmatic works are scored for presentation using speakers only without any live performance components.
While the composer readily includes acousmatic sound as a compositional resource in his electroacoustic
works, live performance is always a critical, indeed mandatory, component for this composer.